In Rome they saw architectural works by the stylistic leaders of the early sixteenth century: Bramante, Raphael, and their followers.īecause three of their followers, Sansovino, Sanmicheli, and Giulio Romano, had moved to northern cities near Vicenza in or before 1527, Palladio saw their post-Roman work before seeing their earlier, Roman work. Palladio's travels with Trissino offered him the opportunity to see the architecture of not only ancient times but also his own time. In 1554, he published an illustrated guide to the city's ancient monuments, Le antichità di Roma, which remained popular for two centuries.ĭuring the course of his life, Palladio studied ancient Roman buildings in many parts of Italy and even traveled to southern France, where some of the best-preserved examples were located. Palladio recorded them by making drawings and taking measurements, which was a difficult undertaking that often required excavation as well as climbing. Palladio made illustrations based on their observations of Roman architecture and their interpretations of Vitruvius' text.īeginning in 1541, Trissino took Palladio on several trips to Rome, where there was a rich concentration of buildings and ruins. Trissino introduced Palladio to Vitruvius' treatise in the late 1530s, and from c.1549 to 1556, Palladio collaborated with Daniele Barbaro on the latter's 1556 annotated translation. Trissino nurtured Palladio's talent by instructing him in architectural theory and the ideas of Vitruvius, taking him on trips to Rome and other cities, and introducing him to men of wealth and intellect with whom he exchanged ideas and from whom he received commissions. He operated an Academy that promoted humanist studies in an atmosphere that furthered interaction between members of the privileged class and talented men like Palladio, who lacked social standing and education. Trissino was knowledgeable about many fields, and his writings included plays following ancient examples and rules. They would have met when the workshop in Vicenza in which Palladio was a junior partner was executing part of the masonry at Trissino's villa at Cricoli near Vicenza in the late 1530s. The turning point of Palladio's career was his association with Giangiorgio Trissino (1478-1550), a man of great wealth, social standing, and erudition, who was also an amateur architect. Late 1530s: Palladio began working as an architect and received commissions for palaces and villas from the local nobility.ġ541: In 1541 Palladio went on the first of several trips to Rome with his patron Trissino.ġ545: In 1545 Palladio was consulted about rebuilding the town hall, later known as the Basilica, but his design was not approved until 1548.ġ549: Palladio met Daniele Barbaro in 1549 and shortly afterwards began collaborating on an annotated edition of Vitruvius, for which he prepared drawings.ġ554: Palladio's guide to the ancient monuments of Rome, Le antichità di Roma, was published in 1554.ġ556: Barbaro's edition of Vitruvius' treatise was published in 1556.ġ570: Palladio's treatise, I quattro libri, was published in 1570, and Palladio moved to Venice.ġ580: Palladio died in 1580 while working in Vicenza on the Teatro Olimpico, a municipal theater.
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Palladio's influence peaked with the neo-Palladian revival in the eighteenth century, followed by continual revivals of his style in both religious and secular architecture.ġ508: Palladio, the son of a miller, was born in Padua in 1508.ġ521: In 1521 when he was thirteen, Palladio was apprenticed to a local mason.ġ524: Palladio left his apprenticeship early and moved to Vicenza, where he worked as a mason.ġ536/7: Palladio met Giangiorgio Trissino who recognized his potential as an architect and provided him with a humanist education. Palladio's urban architecture was concentrated in Vicenza, his domestic architecture was sprinkled around the Veneto, and his most important churches were located in Venice.
#Palladio four books of architecture outline professional
Palladio, who was trained as a mason rather than as an artist, made architecture his sole professional focus and designed buildings of all types.
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His first patron, the humanist Giangiorgio Trissino, gave him the name "Palladio" in reference to the Greek goddess of wisdom, Pallas Athena.
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Palladio's original name was Andrea di Pietro della Gondola.